'Dog Days' Are Here...and on Kindle

Fenriswulf Books have just released their first publication for younger readers - an illustrated piece that's been kicking around for a couple of years now. 'Dog Days' is a collaboration written by Chaz and with illustrations by Frang, and in outstanding proof that truth can be much stranger than fiction, Chaz actually dreamt the entire book one night. As a result, the book is rather whimsical, featuring the little-known dogs of the gods who gave their names to our days of the week.

The original illustrations by Frang were all produced in colour for what was to be a large format kids' board book, and if the Kindle edition does okay then the print version may well still appear in future.

The obligatory free promo has been running since the 31st October and closes at midnight (~ish) on November 4th, PST, so if you're very quick you might just be able to grab another freebie.

US Readers get it here
UK Readers can get it here

Ring-a-Ding-Ding

Chaz may not have posted much here on the FWB blog lately but that doesn't mean he's been slacking. Quite the opposite. Not just being kept busy with ongoing client commissions, he's still been working away in his spare time on his new radical retelling of the epic Ring cycle. A recent rib injury his stifled output in the past week or so but he still managed to pull together some digital colouring over the weekend, using a mouse rather than his usual pen tablet.

So here's a rough colour mock-up of the proposed cover for the first book in the 'Ring' series of graphic fiction. The title is rubbish, as this work doesn't even have a proper title yet, but it gives a great idea of how the finished thing should look. This series will be seeing print as wellm as digital release, as all the interior artwork is in stark black and white only, so ought not to cost too much (even at Lulu.com's prices).

A New Look for Fenris...?

For a while I've been considering changing the FWB logo and coming up with a different illustration of the old Viking wolf-god for our visual identity. Not necessarily because I think the old one is lousy - I still really like it after all these years - but the FWB catalogue has branched out a lot since it was first created.

Recently, as part of work I'm doing on my epic Old Norse graphic novel/fantasy cycle, I came up with the following illustration - the goddess Hel and her two brothers, the serpent Jormungand and of course, Fenris (here depicted as a goofy cub who still has a lot of growing up left to do).

I thought about perhaps adapting the portrait of Fen here as a new look corporate ID. What do you folks think?



-Posted by Chaz

A 25th Anniversary

Not content with this January being the 6th year since the conception of 'Maranatha', this month also holds another significant personal writer's anniversary for me - namely 25 years since I started writing my first serious piece of fiction, a truly epic work of adult fantasy (even though I was only 13 and a half when I began it!) inspired by Norse mythology, Wagner's 'Ring' cycle, 'Penthesilea' and many other things.

It's a strange piece of work, something I've deliberately abandoned at various times in the past until I felt I was more mature to be able to handle the material the way I wanted it, and illustrate it the way I felt it ought to be. I would regularly get so far and then decide that I didn't have the talent to pull it all together. First it swung one way, from heroic tragedy to more whimsical traditional fantasy, and back again. Now the pendulum's swung all the way around and the work has evolved into what I reckon will be its final stage, fused from the salient points of all the previous incarnations and the multiple revisions and dramatic evolutions. The writing of it has been an epic drama in itself. By turns frustrating, exhilerating, time-consuming and demanding, it's something that's always been a part of me, and probably always will. This I now attribute to the very powerful symbolic themes and motifs which inspired it, and which I've always regarded in the very highest esteem.

And what has actually helped to pull it all together has not been new writing, but new illustration works, which have taken on a somewhat industrial - even science fantasy - edge, to create something that is new and yet true to its origins, like a post-modern staging of the 'Ring' Cycle itself that delves into the deeper symbolism and meaning with radical set design and costuming, my re-imagining of familiar characters and scenes is throwing up brainstorms of creativity right now. I know this is working well, because it was the exact same process which kicked off my work 'The Wish and the Will' recently, and led to a similar flurry of action (producing three full episodes and dozens of full-colour illustrations in less than six months).

In all the time I've worked on this (still untitled) series I reckon I've barely pulled together half a dozen chapters of finished work that is actually worthy of the name, yet I've filled hundreds of pages and written hundreds of thousands of words, produced dozens of sketches and a stack of finished illustration works since 1989, of varying quality. In this 25th anniversary year (I did say in an earlier post that I'm a sucker for this kind of thing...), to the very month when I began this thing on a cold winter's evening while enjoying a break from school due to the severe weather, I took the executive decision to finally make it happen. Yes, I'm in the middle of half a dozen other writing projects, and have recently just started taking on new illustration commissions again. Yet lately I've been buzzing with a nervous, excitable creative energy whereby I simply want more - more things to do, and the ideas have been surging around with the power of a storm. It's a long time since I've felt this wired creatively, if indeed I ever have at all, even during my blast-through of 'TWatW' this time last year.

And in the meantime, I present one of those new works of visual art which is helping me to focus so clearly on the biggest, sprawling, most chaotic mess of a book I've ever conceived!

Prey for Us: Exorcismus

Northern Spain, 1499 A.D.

Episode 2 of the supernatural medieval horror series debuted on Youtube last night. Picking up from the end of the pilot episode, Brother Domingo prepares to exorcise the Devil, who appears to have possessed the body of a strange peasant woman. Meanwhile Tacitus, our narrator, fears he may have inadvertently inspired Satan to come into the Benedictine monastery by his over-enthusiastic illumination of the temptations of Eve.



Will brave Domingo be able to expel the Prince of Darkness from the monks' wine cellar...? While Bernardo cowers in the cellar awaiting Domingo's return, the Abbot conducts mass, unaware of the supernatural drama unfolding beneath his feet. Here's the Youtube link for episode 2, 'Exorcismus'.

The Wish & the Will: A New Angle

While Chaz continues to puzzle over the finer details of Episode 4 (which will most definitely not be entitled 'A New Hope'). here's a visual sample of the forthcoming episode, courtesy of Mr. Frang.

Chaz commissioned Frang this year to produce a few pieces of artwork for the series, focusing mainly on architecture and aircraft design. As various forms of flying machine are integral to the books, and Chaz was never much of an aeronautics engineer, he was curious to see what Mr. Frang would come up with - and this one-man, hand-held flying device really caught his imagination:



We think this one ought to be filed under 'steampunk', even while Chaz has since refused to use that term any longer in connection with WatW.

As always, the first 3 episodes are still available for download from the banner links upon this very web page.

The Fenris Wolf Pack

Taking a break from fantasy and dark thrillers for a time, Chaz has recently begun work on a new book for the Fenriswulf catalogue: an Alaskan wilderness adventure for younger readers, that currently goes by the working title of Prince of the Hunt. Looking for something simpler than multi-layered epics of cosmic complexity, this slightly whimsical tale is definitely a case of "something completely different".

Originally conceived some years ago as a movie script, the simplicity of publishing via the Amazon Kindle platform has resurrected this idea, and it is now well into production of the first draft. The stars of the story are wolves, and the tale is written with just a hint of Kipling (the Just-So stories have long been some of Chaz's favourite bedtime tales for...decades).

The illustration here depicts the main hero of the piece, an exile named Cikuq, who ventures out to found his own pack with two young orphans...and meets an unlikely ally on the way. A tale of courage, thrills, and deep friendship soon blossoms. Release date: likely late summer, or early autumn.

Wish and the Will: Episode 3 Now Available!

Chaz published the text-only Amazon Kindle version of Episode 3 over the weekend. Somehow we've also managed to bring the price down, too.

The fully-illustrated version will be available in due course via Lulu.com, once the interior artwork is completed - this will take a little while due to current client commitments.

Here's the blurb:

Back in the City of Old Mid, outlaws Jeth Sundancer, Renzo K. Castello and Claudia get their 'biggest ever bank job' off to a shaky start when a bank manager confuses a vault with cask-conditioned whisky. Once underway, however, unexpected spanners are thrown into the works and Claudia is once again reminded that being a natural redhead has lethal disadvantages.

Therein they encounter a Droxen lavatory repair man, who may secretly be the legendary saviour of the Grotmongers, a race of repulsive sewer-dwelling creatures who believe he will deliver them into a promised land of light and wonder (as foretold by the quatrains of Justin the Pustulant).

Desperation and misunderstandings combine to push Claudia and Jeth into an impromptu music-hall appearance in front of the Daemonlord Prince Marbas, and a highly excitable audience of Sli'ix aristocracy. But Marbas and his lords have eyes only for one beautiful performer – and it isn't Claudia.

However, events soon take a turn for the sinister as the forces of law muzzle the growing cries from the people of Old Mid for political representation and an end to tyranny at the hands of the Daemonlords. And as Duke Barbatos, Lord of Justice, begins to pursue his own agenda, a new and terrifying threat is unleashed from the secret cellars beneath the Headquarters of the Gang, the Duke's elite secret police...

(That is, in fact, Mr. S on the front cover...in one of the weirder scenes to grace this quirky series so far.)

Here's the link for UK readers.

Here's the link for US readers.

The Wish & the Will: An Illustrated Excerpt

Presenting a recent illustration for the epic fantasy series, episode 3 of which is due out soon...a Karityldian warrior chief of the tribe of people to whom one of the heroes, Captain Ssorg, belongs. The Karityldians are native to the mountains and jungles of Garuda, and their story is not unlike that of the Zulu nation at the hands of the British in the 19th C. The following excerpt is from a field guide published after one of the earliest expeditions to the Karityldian homeland...



Karityldians: A singular and quite abominable reptilian race to be found in the jungles of the North-Eastern Outlands, sufficiently far enough from the hub of our great civilisation to prevent offence to our refined sensibilities. Their primitive hunter/gatherer society could benefit from several thousand seasons' worth of contact with our own infinitely superior culture. Central to their society is the ludicrous belief that they are somehow superior to other races by virtue of their great antiquity and adherence to absurdly primitive spiritual beliefs which refer to unknowable, unseen beings referred to as “gods”. In short: I humbly propose to their Daemonlordships that an expedition be launched to exterminate these monstrosities and claim their mountainous jungle lands in the name of Middengarth's Geological and Surveying Society.

-From Notes on the Peculiarities of Diverse Races of Middengarth, And Why Gnoems are Better than All of Them by Grath Galladon, Gnoem first generation explorer

Text and art (c) Chaz Wood, 2011. All rights reserverd.

To Illustrate...or Not to Illustrate?

Chaz has a new guest blog article, 'A Problem in Promotion' over at Rainy Dark's writers' and bloggers' page. In it, he addressed the nature of illustrated fiction, and the preconceptions surrounding it, an issue which is very pertinent to Fenriswulf Books at the moment. The Wish & the Will series is being produced both in text-only and fully-illustrated e-book editions, while Maranatha has just seen its second revised edition, without the original illustrations.

The article ought to be of interest to any writer who is considering illustrations for their works, or anyone with a passing interest in the concept of illustrated fiction, as distinct from the more common 'graphic novels'.


Read the full post here.


Left: illustrated page from Episode 1 of The Wish & the Will: Sundancer's Regret

'The Wish & the Will'...Slight Return

Chaz has been thinking (and working) hard on restyling the visual identity of his current series of steampunk-flavoured fantasy adventures of late. The web poster above is the first of his new attempts at adding some depth and distinctive design elements to the books, as well as hinting at their medieval occult and magical origins.

The Wish and the Will Episode 3: A Sneak Preview

Episode 3 of the quirky comical steampunk fantasy series is well under way at present. Chaz is working on bringing a wealth of new characters and increasingly surreal situations into the series, all of which combine to create an intricate weave of weirdness and wonder. Due to the epic scale of the work, Chaz has just hired long-time artistic partner-in-crime Mr. Frang to provide some art and design works of a technical nature, and we hope to be showcasing some of those on this very blog in the near future.

In the meantime, here's a sneak preview from one of the aforementioned scenes from Episode 3, wherein Mr Sundancer and Miss Claudia, in ever-desperate attempts to evade the clutches of the Constabulary, inadvertently find themselves on stage during a Royal Command Performance...for an excitable male-only audience.

'Surfeit of Mandrake' Reviewed...on Amazon, and Elsewhere

While 'Maranatha' has been notching up some good press in recent months, that other stalwart of the original Fenriswulf catalogue, 'A Surfeit of Mandrake', hasn't been so lucky in finding reviewers of late. Possibly because anthologies are so difficult to review and sum up, especially ones as eclectic as this which features poetry, drama in blank verse, short stories, artwork, comic strips and a mini sci-fi saga as the centre piece.

However, that's all changed now thanks to the extremely generous and helpful Trevor, over at Bookophile Reviews. True to his every word, he's written a damn fine review and shared it not only at Amazon and his own blog pages, but at Goodreads also (where Chaz and Fenriswulf have a growing presence).

The new 'Mandrake' review is online at Amazon, here. While you're at it, pop across to Trevor's pages and show him some support too! If you have a book you'd like reviewed, drop him a line - he's a great guy to chat with, as well.

Venus in Saturn: Sneak Preview

Something a little different: a taster of some content from Venus in Saturn, the soon-to-be-released prequel to Maranatha.

Wherein Inspector Jack Carpenter expresses his frustration with his top freelance CSI investigator, Vanessa Descartes, for going above and beyond the call of duty...

“You’ve gone and done what?”
Carpenter threw his pen to the desk in exasperation, though Vanessa knew he would have preferred to have stabbed it into her eye at that moment.
“Look, someone needed to get close to them.”
She had guessed that Carpenter might have had some quiet reservations about her activities that morning, but the volume of voice was far in excess of what she had ever feared. “Now, you can’t get any closer than being on the inside, can you? I won't be billing you for it. Call it freelance undercover work.”
“No. I'll tell you what I call it: sodding up our enquiry. You realise I can’t do anything for you in there? Any possible future sting or inside job we could have had planned, is out the window for as long as you’re involved with that shower? And if you make one slip - one wrong word - and blow your cover, then they could do a moonlight and then we're all stuffed! Or even worse – they suss you out, and you're the next one to end up gutted like a bloody kipper.
"Now think, Vanessa. If they’re involved, then we have to approach very carefully. And if they’re not involved and it’s just a coincidence, you’re gonna get yourself all stressed out over nothing. You can't be neutral and rational in there, because you have an emotional stake in all of this. Worst case scenario, anything you pick up gets thrown out as inadmissible, and there'll be no justice for Sandra.”
“Then why can’t you set up something, using me as a decoy?”
“Jesus, what did I just say? I know we all think they’re involved, in some kind of way. Whether they had anything to do with Sandra's death is up for debate, but you’ve already convinced yourself that they were responsible for what happened to your big sister as well.”
She shrugged, jerked her head. Not so much of a nod, more an acknowledgement of his words. “I’m still hoping I can be proved wrong.”
“But you’d prefer to be proved right. Because it gives you a rationale, someone to blame. Right?”
“Wrong. There's a connection somewhere in all of this, Jack, and I intend to find it. It combines me, my sister, this case, and this unorthodox religion on some level and if I don't get a better idea of where they're coming from, we may never solve this one. I've had weird shit happen all through my life when I never asked for it. It's time I went looking for some answers, to all of it.”
Carpenter's gnawed fingertips played a slow funeral march on the edge of his desk.
"You know, Vanessa, you're brilliant. You really are. You've helped me get results on every case I've worked with you in nearly two years. But sometimes, you really piss me off. Now get out, and don't come back until I call you, or you have some facts so hard, they could crack diamonds. Okay?"

Work-in-progress illustration for the above scene:


All content (c) C. Wood, 2010.

Cafepress deliver the Goods

I ordered a few bits and bobs for myself from the Fenriswulf Cafepress.com store the other weekend, and they arrived today. It's always nerve-racking when you first open a package of something you've created this way - suddenly you have crises of thought: will the printers have messed it up in some weird and totally unfathomable kind of way? Was my original source file formatted properly, and of a high enough resolution? Or will the quality overall be a bit disappointing - just a general kind of "bleargh" ?

I needn'e have worried. I'd used Cafepress in the past for a couple of T-shirts, one of them designed to promote the "Last Gas Pump" comic (available here), and their quality really impressed me. To be honest, the art has printed beautifully, on really high-quality glossy stock. Sure, they're not cheap - and I wouldn't like to have to use them regularly for stuff that wasn't a one-off or a present - but they definitely do deliver the goods, and don't seem to outsource to unreliable third parties the way Lulu do (that said, I'm still with Lulu for the meantime - they continue to hold the entire Fenris back catalogue to date).

The print of the mythical Princess Andromeda really blew me away. It's the first time I've ever seen digital artwork of mine reproduced profesionally, and I can foresee a few more before too long. It's almost worthwhile considering a Premium cafepress shop, to be able to sell an entire series of such things...maybe once I've been paid from my current book illustration job, and have some money to invest. I'm also looking ahead to getting some Fenriswulf-branded postcards or notecards produced for my next (as yet unscheduled) trip to a new bricks-and-mortar store to try to offload some produce...

Round-Up of the Year

The recent and very unexpected failure of Borders has, of course, left its mark on Fenriswulf's current production schedule. Gone (but not forgotten) is the ashcan project - small freebie (or low-priced) paperback samples of our catalogue to date, designed to sit by tills in similar locations in-store. Once we find another bricks-and-mortar outlet for books again, this project will return. (It is in fact complete, and good to go straight to the printers - but as with all print-on-demand, I will get them printed when there is actually some possibility of demand...)

Mr. Chaz has been happily busy with drawing and illustration commissions since the Spring of this year which is why not much has been happening on the new books front, and this looks likely to continue well into next year too. Fenriswulf in general is not so much on the backburner, but rather branching out. There's a possibility of new personnel appearing on the scene before too long also, so watch this space.

A new comic strip, originally conceived as a traditional 3-panel webcomic, is also due to make an appearance somewhere in the very near future. A couple of publishing collaborations may also be on the cards in the New Year, but with nothing definite as yet, we can't say too much at this juncture. More info, of course, will be revealed as and when we have it, however, with Fenriswulf becoming at least as art-oriented now as book-oriented, we're in the process of considering some projects based on visual art - such as those listed in the experimental Cafe Press store - for example, a series of T-shirts, greetings cards, or calendars (which is looking like the most likely option so far).

In the meantime, have a good holiday and we'll see you all in the New Year for what we hope to be a busy and productive 2010.