"Last Gas Pump" Now Out of Print...Thanks, Lulu

Busy old week.

While desperately trying to knock together final editions of "Lochglen" and get "Arf & Mo" issue 1 re-issue, I thought it would be an idea to update and revise the "Last Gas Pump" issue 1 and take some copies of the X-rated spoof along to the Comics Conference next month.

Until I saw the price shoot up mysteriously from £3.99 to £5.59 as I tried to complete the update.

"Obviously a mistake," I thought. Tried numerous updates, but the price hike remained. One communication with Lulu support later, and seemingly: "We recently repriced many of our books. Our most popular books have had a drop in price...by reducing the price of these books we have had to also increase the price of some specific sized books. Unfortunately the books you have revised have been affected by the price change and the price you are currently seeing is accurate."

Ah, so I see. With no warning, update, or any other kind of announcement...in other words, fairly typical of the kind of service I've come to expect now.

Which means that as of now, the "LGPotL" is officially out of print (£5.59 is a ridiculous price for a 28-page colour comic, even before adding creator commission and punter's postage & packing) and is now downloadable only - at least until I can find more favourable print costs elsewhere.

Dundee Comics Conference 2010: A Prelude

Much business followed a get-together with Fenriswulf collaborator Frang the other week. The hot topic of conversation was comics, and what we should be doing to get those that we have out there.

Arf & Mo is still hot on the agenda, but currently long-term collaboration project "The Sword of Lochglen" has finally seen print. Book 1 "Bejants & Blethers" of this quirky Scottish historical/fantasy satire is now available to buy online (see banner on left!), with Book 2 to follow later this year. Lulu didn't disappoint this time, and delivered a spot-on proof of Book 1 with sharp black and white interior printing, and a very good job on the front cover which does justice to Frang's painted artwork.

So, with the 2010 Dundee Comics Conference just a few weeks ago, we decided to get ourselves out there and put ourselves about at the event.

Highly professional Fenriswulf business cards were knocked up in good time by the highly-recommended Cards Made Easy, while I also banged together a US comic-format folio art book, showcasing some of my more professional art pieces from the last couple of years (just in case any talent scouts happen to be hanging around at the bar after the Comics exhibition!)

Local shops in Dundee are likely to be badgered before too long with regards to stocking some Fenriswulf products, as Frang & I work together to raise our local profile and branch out from online sales back into bricks and mortar stores, following the sad and very unexpected demise of Borders.

Actually going out into the outside world and mixing with human beings, rather than the electrons which clump together to form the Internet, can be a bit daunting for head-in-the-clouds hermit writers and artists, especially when it involes pushing their work in people's faces and saying "Look at this, isn't it funny?", but what better way to kick off that process than mixing with like-minded comics fans in a relaxing environment? Especially when the legendary Pat Mills of 2000 AD fame will be in attendance...

For more info and tickets on the Dundee Comics Exhibition, see here.

Beware Geeks Bearing Gifts...

...especially if it's any of this bunch of dysfunctional IT support clowns.

The idea of a webcomic based around an IT support desk came to me a couple of years ago but it was only last year in 2009 that I started to do something about it, and only now that I've found a (albeit temporary) place to display them publically.

As anybody who draws comics knows, it's really 80% writing and 20% artwork. Most of the real work is in thinking, writing, fine-tuning a few words for the best possible payoff. If the gag, the joke, the concept are great, it doesn't matter how lame the artwork is - two of the greatest cartoonists of the 20th Century, Schulz and Thurber, had minimal technical ability.

If the joke is a dud, or the writing lame, I don't think it matters how eye-catching the art is, the strip will fail. As such, in this series I'm seeking to focus my energy on honing something that is written as succintly and with as much character as I can pack into three frames. This means that the art is more minimal than I would normally prefer, but that is also a bonus - it means I'm not spending countless hours drawing the thing, and on a different level, the recycling of stock scenes and characters throughout helps to enforce the sense of repetition and familiarity of life day in, day out, in an office environment, a sense of tedium which perhaps only the off-the-wall personalities of the characters can penetrate.

As to why I decided to write about a bunch of geeks on a technical helpdesk, this was in no way related to my own personal experiences of working beside a bunch of geeks on a technical help desk. Reality could never translate into the world of Tomasz, Arnie, Mungo and company, which is more akin to a little-remembered 1990s TV comedy show I used to enjoy a lot, titled "Dweebs".

For sure, there are plenty of other IT-related strips out there. But this one has one difference: set on an email-based helpdesk, many of the gags are text-based rather than sight, or dialogue, based. This is where the writing comes in that I mentioned earlier, though I will be mixing it up with a variety of humour styles.

In any case, it's early days yet but enjoy these free samples, I hope. I may post more in future here if a more high-profile home can't be found in the short term...

Back to Books

Well, it's been a while but with heavy commission work, illness and day-job upheavals over the last couple of months to contend with, I am, just about, back to books again. Specifically the prequel to Maranatha.

A friend on Deviantart recommended a fine book entitled "How to Write a Damn Good Novel", and I picked this up at the start of the year. It's not a big manual, it isn't stuffed with the usual "Thou Shalt/Shalt Not" statutes that most books in this field try to ram down the writer's throat. It gives concepts and advice, and illustrates them amply to show why this advice should or should not be followed. It was rather heartening to go through many of the chapters with "Maranatha" in mind and mentally tick many of the boxes which James N. Frey presents. So, in a roundabout way, it got me back to "Venus in Saturn", the prequel, which has remained a bit stuck since last year due to the enormity of the story arc, and the need to build up the concluding backstory which concludes in the sequel, "The Keys of Heaven".

Slowly but surely, I'm beginning to see the emergence of the finished first draft. And in the meantime, because I've been on a bit of a roll artistically, took another shot at putting together a new cover for "Venus":


Venus in Saturn WIP 2 by ~Lord-Retsudo on deviantART

It still needs work but I'm a lot happier with this one now. And it helps that my digital art ability has improved enough for me to be confident enough to put it out on a book cover. But paid client commission work can have that effect!

Cafepress deliver the Goods

I ordered a few bits and bobs for myself from the Fenriswulf Cafepress.com store the other weekend, and they arrived today. It's always nerve-racking when you first open a package of something you've created this way - suddenly you have crises of thought: will the printers have messed it up in some weird and totally unfathomable kind of way? Was my original source file formatted properly, and of a high enough resolution? Or will the quality overall be a bit disappointing - just a general kind of "bleargh" ?

I needn'e have worried. I'd used Cafepress in the past for a couple of T-shirts, one of them designed to promote the "Last Gas Pump" comic (available here), and their quality really impressed me. To be honest, the art has printed beautifully, on really high-quality glossy stock. Sure, they're not cheap - and I wouldn't like to have to use them regularly for stuff that wasn't a one-off or a present - but they definitely do deliver the goods, and don't seem to outsource to unreliable third parties the way Lulu do (that said, I'm still with Lulu for the meantime - they continue to hold the entire Fenris back catalogue to date).

The print of the mythical Princess Andromeda really blew me away. It's the first time I've ever seen digital artwork of mine reproduced profesionally, and I can foresee a few more before too long. It's almost worthwhile considering a Premium cafepress shop, to be able to sell an entire series of such things...maybe once I've been paid from my current book illustration job, and have some money to invest. I'm also looking ahead to getting some Fenriswulf-branded postcards or notecards produced for my next (as yet unscheduled) trip to a new bricks-and-mortar store to try to offload some produce...

Amazon A-No-Go

Well, as expected I didn't get selected for the second round of the amazon.com book contest, but that was hardly a surprise. A rush job at best on my part in order just to get the full submission in on time, from looking at the number of next-round contestants it would appear that selection was based pretty much on who could come up with the most intriguing 300-character storyline pitch.

In other words, this part of the filtering process is more about marketing than anything literary, where a snappy title and a few buzzwords are probably all that could be required to fox the panel. Good luck to those who made it through, but I do get the feeling that an awful lot of rather good stuff has probably fallen by the wayside simply because the writer wasn't quite able to come up with the kind of advertising tag-lines that seem to be required nowadays.

Which has made me think, that the marketing side of FB hasn't quite been allocated as much time and attention as the works deserve. It's all very well knowing that the stuff is out there for the world to see - and copies are selling, now and again - but I do still need to do more. Everyday I get a Spambox filled with junk from US-based businesses trying to screw cash out of me for book promotion, guaranteeing me reviews in high-brow publications and exposure to trade: all for a price, of course (in USD, via credit card). This is the backside of promotion, where it's assumed that somebody vain and rich enough to publish their own book is also willing to be ripped off blind for the possibility of "getting it noticed", for a price. I have no doubt that "the Trade" are perfectly well aware of such companies and how they operate, and I don't believe for a minute that they treat many, if any, books which come via those channels on the same level as real-world published works - in much the same way that all known "Vanity Presses" are blacklisted by stores worldwide. (On a side note, Vanity Publishing - paying a third party, usually on the strength of exuberent promises, to publish and promote a book used to be equated with self-publishing - simply going it alone. In the last 10 years, the advent of DTP, DIY web-publishing and POD services have helped to distinguish between the sharks, and the writer-creators).

With more works planned for later this year, and FB also looking to branch out into other media, marketing is going to be big on the agenda. How much promotion and marketing is enough? To be honest, there's probably never enough. There are always new avenues and openings to be explored, though finding the balance between being a laid-back lazybones and a pushy nuisance probably takes trial and error. I feel awkward about pushing my work at people I know, and slightly intimidated doing the same to total strangers. It's not easy, though I do understand the background theories of sales and promotion - possibly because it's my works that I'm pushing, for my own benefit, not somebody else's. Had I been busier with the promotional side of things up to this point, things may have turned out better with the Amazon contest - I would already have had a half-dozen juicy pitches, tag-lines, and 2-line soundbite Tweets or Twits or whatever the hell you call the things people post on that website, all good to go and geared up for grabbing the attention.

But nobody said going it alone was easy...

Of Books, and More

Taking a break from commissions and artwork for a moment (okay, for a whole day...), Mr. Chaz decided to get back to basics and get some more Wolfish "product" out there. The old Cafepress.com shop has had a new batch of stock added, including greetings cards featuring lowbrow comic characters Arf and Mo in their first piece of merchandise their debut small-press comic of 2001 (at the Fenriswulf shop, here). This is but the beginning of what Chaz is intending to be Arf and Mo's renaissance year, with the duo's comic strips repackaged and rebound for a whole new audience (insofar as there was ever an old audience...). Art prints and other items featuring one-off characters and concepts are also up for sale there, and more will be added in months to come. The limitation of the free cafepress store is that we can only produce one design of any particular item. If sales allow, we will consider looking at a premium package but at the moment, overheads need to be kept to a minimum. I'm a bit bummed that cafepress don't have lower prices, but I'm still shopping around for the best long-term deals.

This month we notched up another couple of US sales of "Maranatha", not long before entering that same book in Amazon.com's Breakthrough Novel Award, a contest for unpublished and self-published works. It may not make the grade as all the supporting material for the entry was written and thrown together the night before the closing date, finding out about it only by chance while cleaning out my spam email folder. Still, never having previously considered entering any such competitions in the past, it gave me the idea of actively looking for more in future.

In other news, Mr. Frang, Fenriswulf artist and contributor to the "Surfeit of Mandrake" anthology, has joined Chaz on his commercial commision adventures due to the arrival of an unexpected, but rather welcome, deadline. So everyone has been busy with artwork of late, and the end of March may see a little relaxation and the commencement of some serious work on the Arf & Mo volume for production.