A Very Geeky Christmas...

Jeff Swenson, over at Freethunk, recently commissioned Chaz to produce a 2-part festive edition of his ongoing tech-support webcomic series, Geekz, which is usually published every Monday at 2Laugh.com.

There's an interesting interview there too detailing the origins of the strip, its characters, and development. Part 2 will be following soon.

Here's the link.


You can follow the Geekz series every week at: 2Laugh.com.

'Waiting for Anais' - a midwinter horror tale

Another horror story commission from the good folks at Freethunk, this may be one of the darkest things I've ever written. It was conceived as a story set around Christmas which wasn't remotely festive, and as bleak as the season and its weather can be (and looking out my window right now, believe me - it doesn't get any bleaker).

Here's the link.

The inspiration came from the accompanying illustration, something of a random sketch I started a few months back. It was nice to have a reason to finish it off.

A Change of Tone...

Made an executive decision to "jolly up" the Fenriswulf home page tonight. After two and a half years of sombre black with splashes of red and white, Chaz decided that enough was enough and that it was time to let a little light shine through these wolfish pages for once. After all, it's dark enough outside as Midwinter and the Solstice approach...is it any wonder that the most popular and widely-celebrated festival of the Western calendar is held only a few days after the shortest day of the year? Even Muslim friends at work buy into the cheer and warmth which is so necessary at this bleakest point in our eternal voyage around the Sun. Decorations and seasonal greetings are universal, and speak across all boundaries.

All of which was a rather highbrow attempt at explaining why Chaz didn't want his beloved website to give the wrong impression to any passing visitors. Black can be very oppressive, and upon reflection, the choice of supporting colour scheme (white and red) does have unfortunate political and historical overtones, though none of which are at all relevant to either the public works of Fenriswulf, or any thought or overriding philosophy behind the scenes. The original red/white/black concept was chosen purely as a striking graphic design element. However, again, upon reflection, its connection with Old Norse pagan imagery was perhaps somewhat unfortunate - especially when such concepts and ideas have often been distorted and forced to serve sinister motivations in the past (which is itself something of a recurring theme through the Trinity Chronicles).

First impressions can linger, and some viewers can, and will, look beyond the innocent and accidental to find hidden meanings where none actually exist. Of course, those who know Chaz personally and who have read his works know that no explanation is required; the two heroes of the Trinity Chronicles are a Nigerian, and a Spaniard of mixed heritage (Jewish, Muslim & Catholic) - not in any cynical attempt to be "politically correct" but to underscore Chaz's eternal desire to promote the 'underdog' to heroic status, and show up the inherent lie within all racialism - that there is only one race, the human race.

After all that, to conclude: we hope you like the new colour scheme! Any suggestions or comments will be more than welcome.